Food is any substance consumed to provide nutritional support for the body. It is usually of plant or animal origin, and contains essential nutrients, such as fats, proteins, vitamins, or minerals. The substance is ingested by an organism and assimilated by the organism's cells to provide energy, maintain life, or stimulate growth.
Historically, people secured food through two methods: hunting and gathering and agriculture. Today, the majority of the food energy required by the ever increasing population of the world is supplied by the food industry.
Food safety and food security are monitored by agencies like the International Association for Food Protection, World Resources Institute, World Food Programme, Food and Agriculture Organization, and International Food Information Council. They address issues such as sustainability, biological diversity, climate change, nutritional economics, population growth, water supply, and access to food.
The right to food is a human right derived from the International Covenant on Economic, Social and Cultural Rights (ICESCR), recognizing the "right to an adequate standard of living, including adequate food," as well as the "fundamental right to be free from hunger."
Food is the sixth studio album by American recording artist Kelis, released on April 18, 2014, becoming her first album released under Ninja Tune Records. In 2007, Jive dropped Kelis, and she later signed to Interscope and will.i.am Music Group in 2009, through the label she released her fifth studio album, Flesh Tone, which saw Kelis experiment with a dance sound. In 2011 Kelis began work on the follow up to Flesh Tone, however she left Interscope and signed to Federal Prism, before officially signing to the British independent label Ninja Tune for the release of Food.
Food is an R&B and soul album with a diverse musical style that incorporates funk, Afro-beat, Memphis soul, R&B and neo-soul. Its songs feature crackling horns, brass, earthy guitars, simmering electronics and vocals from Kelis that were noted as being breathy, smoky and sultry. The album was viewed as a return to Kelis' previous music prior to Flesh Tone, and was described by Kelis as, "a kind of unspoken lovefest". The album was written by Kelis, alongside David Andrew Sitek, and Todd Simon, and was entirely produced by Dave Sitek and features guest performances by CSS and Priscilla Ahn.
Zico Chain are a rock band from London, United Kingdom, formed in 2002. To date, they have released two full albums entitled Food and The Devil in Your Heart, a self titled EP and an EP called These Birds Will Kill Us All. The band opened the main stage at the Download Festival on 8 June 2007. They supported Velvet Revolver on their 2007 summer tour of the UK, in support of their second album Libertad. Their new album The Devil in Your Heart was released on 16 April 2012.
The band formed in East London. Vocalist-bassist Chris Glithero had moved there from Manchester, and met guitarist Paul Frost and drummer Ollie Middleton. Their dissatisfaction with 21st-century British rock helped them connect with one another. Influenced by such bands as Motörhead, Queens of the Stone Age, The White Stripes and System of a Down, they began recording, and soon were signed to Hassle Records. For their first EP, they worked with Ted Miller, who has previously worked with Placebo. They then toured with Nine Black Alps, Alkaline Trio, Cave In and The Fall of Troy. They had a number-one video on MTV2's chart. Slash and Duff McKagan of Velvet Revolver (and Guns N' Roses) revealed that Zico Chain were their favourite new band. On 9 November 2009, the band released a standalone single "These Birds Will Kill Us All" with B-sides "Blood 'N Bile" and "Daycase", available on iTunes among other internet sites.
A documentary film is a nonfictional motion picture intended to document some aspect of reality, primarily for the purposes of instruction or maintaining a historical record. Such films were originally shot on film stock—the only medium available—but now include video and digital productions that can be either direct-to-video, made into a TV show or released for screening in cinemas. "Documentary" has been described as a "filmmaking practice, a cinematic tradition, and mode of audience reception" that is continually evolving and is without clear boundaries.
In popular myth, the word documentary was coined by Scottish documentarian John Grierson in his review of Robert Flaherty's film Moana (1926), published in the New York Sun on 8 February 1926, written by "The Moviegoer" (a pen name for Grierson).
Grierson's principles of documentary were that cinema's potential for observing life could be exploited in a new art form; that the "original" actor and "original" scene are better guides than their fiction counterparts to interpreting the modern world; and that materials "thus taken from the raw" can be more real than the acted article. In this regard, Grierson's definition of documentary as "creative treatment of actuality" has gained some acceptance, with this position at variance with Soviet film-maker Dziga Vertov's provocation to present "life as it is" (that is, life filmed surreptitiously) and "life caught unawares" (life provoked or surprised by the camera).
International Documentary Association (IDA), founded in 1982, is a non-profit 501(c)(3) that promotes nonfiction filmmakers, and is dedicated to increasing public awareness for the documentary genre. Their major program areas are: Advocacy, Filmmaker Services, Education, and Public Programs and Events.
Based in Los Angeles, the IDA has approximately 2,000 members in 53 countries, providing a forum for supporters and suppliers of documentary film making.
Documentary storytelling expands our understanding of shared human experience, fostering an informed, compassionate, and connected world.
The International Documentary Association (IDA) is dedicated to building and serving the needs of a thriving documentary culture.
Through its programs, IDA provides resources, creates community, and defends rights and freedoms for documentary artists, activists, and journalists.
The IDA helps to advocate for, protect and advance the legal rights of documentary filmmakers. IDA also has a long history of making the case for documentary filmmaking as a vital art form, and they seek ways to ensure that the artists who make documentaries receive the funding that they deserve. Most recently, IDA has been in the forefront of support on these major issues confronting the non-fiction film industry, including promoting net neutrality efforts, lobbying for the development of strong public policies for the arts, lobbying for the appropriation of increased public funding for the arts, promoting fair use practice, and protecting first amendment rights of filmmakers.
A radio documentary or feature is a purely acoustic performance devoted to covering a particular topic in some depth, usually with a mixture of commentary and sound pictures. It is broadcast on radio or published on audio media, such as tape or CD. Some radio features, especially those including specially composed music or other pieces of audio art, resemble radio drama in many ways, though non-fictional in subject matter, while others consist principally of more straightforward, journalistic-type reporting – but at much greater length than found in an ordinary news report.
There has been tremendous interest in the field of Radio Documentaries particularly in the developing nations such as India, Iran, South Korea and Malaysia. In India for example, Radio Documentary is gaining in popularity due to the flexibility, efficiency and accessibility to the masses. Producers such as Chitra Narain and Danish Iqbal have been accredited with its revival and popularity in the region. Danish Iqbal who is primarily a Drama Producer combined the elements of Dramatic narrative to produce some memorable Radio Documentaries. His Documentary "Yeh Rishta Kya Kehlata Hai' is considered a Classic for the use of effective narrative and ambient sounds. This Documentary presents a heartfelt account of unseen bridges between a Kashmiri Shikarah Wala and his Auto Rickshaw Driver friend in Delhi. Although they never met each other but their unseen bond is the subject of this rare Documentary which transcends the barriers of political, religious and regional prejudices.